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Attachment Issues and Women Abandoned

If you can struggle through the first half of this movie, with its extreme versions of a woman who appears to be histrionic, you will get a second half that is much more intense and mature. This is typical with Bollywood films. They start out with characters who seem like people you have never known (unless you work in a psych hospital) because they often have bizarre personalities, overact their emotions and then there is the dancing and usually lip synching. In this film they actually added what appears to be a real singer. What I found sad was the deterioration of their society by trying to imitate western culture instead of embracing their own. However, the attachment issues are what this film is really about. Something I did not even realize until they finally brought in the psychotherapist, who was actually portrayed in a realistic and therapeutic way, to give a nod to an acceptance of psychology in a culture that does not embrace this at all (not unusual as most cultures don’t).

The therapist is played by Shah Rukh Khan, a very famous actor in India who has played everything from a person with Asperger’s to a psychotherapist. The last film I saw him in he acted like someone sniffing cocaine through the entire movie, so it was refreshing to see him in a more serious role. They actually show the psychotherapist with ethics in this film. Of course there is some suspense now and then as they try to bait you into thinking he might do something very bad. It made me tense because I am tired of seeing these disturbing portrayals of psychotherapists in the media. I even kept thinking, please, please, don’t do it. He didn’t. However, what the psychotherapist is able to uncover, with his unconventional, but appropriate, modalities are the young girl’s attachment issues.

Attachment issues occur in infancy when a child is removed from the mother and father for whatever reason. I have seen this occur with a woman who’s mother was taken from her at birth for quite some time because of the mother’s mental health issues. A young man I know had yellow jaundice and was hospitalized for a week – with mother coming in each day but for only an hour. Another young man was kidnapped at a year and a half by his father and the mother had no idea of his whereabouts. All foster babies in social services end up with attachment issues. In this movie, the girl’s father’s business goes under and the parents leave her with grandparents and go in search of work via new business deals. She writes to them daily but they never respond to her letters. Mom returns with a baby, temporarily and still does not return to take daughter back until later when her child fails miserably in school.

Thus the real concern here is mother being taken from baby or young child and the child is unsure whether they will return. As a result of this, the child develops coping mechanisms to survive. In this movie, the child sought to get attention from her parents, when they did return and she was seen as an unruly child. The parents (this is not unusual) do not take responsibility for the fact that their child is behaving as a result of their actions early on. As an adult, she is unable to attach to the men she believes she is in love with and runs away from them before they have a chance to abandon her.

Many women come to me with an inability to have healthy attachments as a result of birth trauma (or trauma as a young child). I have spoken about Narcissism on here quite a bit and this is similar but not the same. With Narcissists, the parent (s) is there but they do not form a healthy attachment to their child or they are not warm and nurturing and able to respond to the babies needs. Attachment issues can be seen in a variety of diagnoses as it really depends on how the person has interpreted the situation, their emotional intelligence level and the meanings they have placed on scenarios around them. The only constant I see is an inability to have a healthy relationship with a partner. I see unhealthy relationships with parents as well because it is hard to fix these things. The parent (s) is not in therapy. Sometimes the parent is a Narcissist, a substance user still, have mental illness, or they are ignorant to self-awareness in general because they live in denial. With foster children or adopted children, if they are able to find the biological parent, the parent is unsure how to attach to them after all these years. This causes more trauma.

In this Indian movie, “Dear Zindagi,” (2016) it appears that everything comes together within about ten sessions. This is not realistic but it is a movie and they had spent an entire hour or so showing you a histrionic woman doing things like bouncing around in her apartment so you could watch her hair twirling around (about three times there was a scene like this for several minutes). Several scenes of she and her work mates getting drunk, and the second break-up scene was very confusing because I wasn’t even clear they were in a relationship in the first place (mistake in scriptwriting or editing, who knows). In real life, it is easy for this therapist to see attachment issues but not so easy to help a person turn it around.

Childhood wounds are not as easy as having a nice conversation with your parents or bringing them flowers, as she did in this movie. It is not easy to grow up and act like an adult with your parents, when you have been behaving like a teenager around them for most of you adult life or just rejecting them completely. It is difficult when there are multiple babies from fathers and finances are more of a priority then self-awareness and healing. When a couple comes in for therapy and working on communication issues are taken over by dual self-esteem problems that are very deep and untouched. So you are not looking at a simple process. Nonetheless, I think the movie did do some good things. Show psychotherapy in a positive way – to get people to consider this as an option. It opened the door to a conversation of attachment issues, though I don’t believe they actually ever used this phrase. It became an intellectual discussion about life, even though it did not start out this way.

Try to be patient with the subtitles if you are not a foreign film fan like myself and give this movie a try if you can relate to the above. It is on Netflix and I think you will find it entertaining and enlightening if you can be patient through that first half.

 

The Girl on the Train or The Wife of the Narcissist

“I am not the girl I used to be,” the beginning and the ending of the movie, somewhat like a poem. In between is the passion, frustration, and anger; all building toward self-awareness.

The Girl on the Train is about the lives of three women who are joined together directly and indirectly through one man. They are all involved with a narcissist. What is clever about this movie is that the director takes you on a long journey; giving you a chance to get to know these women but only their interpretations of what they believe is the truth. When you are in a relationship with a narcissist, you are made to believe that you are the one causing all the problems. The narcissist causes you to feel as if you are walking on eggshells, that you are going crazy. Your reality becomes distorted as a result. In this movie, the woman is an alcoholic so this of course makes it very easy to assume she is the bad person.

Naturally the movie shows us a bad therapist, which is sad, but in this case it is just continuing to lead us down a tunnel of wrong turns. In fact, two of the three men in the movie are false assumptions and the guilty party seems like a good guy at first. That is the makings of a good suspense. In reality though, the narcissistic man often seems like the good guy. He comes across as very appealing, sexy, responsible, a good provider. So in a sense the director was doing his/her job of turning the audience into a victim of the movie. When they finally present the truth, it is done through a scene where the alcoholic has the courage to humble herself in front of another. Meeting up with a woman on the train whose party she had attended, blacked out and created a scene. After making amends, the woman is able to tell her what really happened and suddenly she is able to wake up and trust her instincts (not her perceived reality) for the first time.

Armed with that small dose of reality, she begins to re-build her sense of self. She revisits other scenes from her life and is able to remember what actually happened, not what she was made to believe happened. Stupidly, but then we all are, she confronts her emotional tormentor with the truth. A narcissist confronted is a very dangerous thing to do because they are unable to confront the truth. Naturally, victims often believe that they are doing the right thing by standing up for themselves and trying to make sense of things with the abuser. This is the nice person wanting to give the bad person a chance to apologize, to come clean and admit to the truth. Make sense of your reality on your own, you can’t try to get them to make sense of things because their life is pathological. They get rid of what is in the way; they detach themselves so far from reality that they are incapable of self-awareness. Instead of trying to make sense of why they do the things they do, learn from the experience and become a stronger person. However, The Girl on the Train is a movie, not real life. As it is not a nice new age storyline, with Louise Hay giving us an affirmation at the end and everyone doing yoga, it has to end with something violent and more to the point.

It has to end with women cheering in the audience. The bad guy has been assaulted and we can all go home feeling relieved that justice was served. Of course, in real life, this doesn’t happen. In real life I doubt that the other woman would have stood up for her either but it is possible. I think what might have really happened is that the wife would have defended her husband. In reality, the alcoholic finally made peace with herself. The other woman was just beginning.

The ending of this film shows the alcoholic probably in recovery; for real this time. She has symbolically moved to the other side of the train because she is ready to move past her trauma and move forward in her life. We look at the ending but don’t realize that the truth is so easy. Taking that step forward by sitting in a different chair, looking out a different window, getting a new job and just letting go, which is what everyone wants us to do. It is simple for someone who is facing a small problem. When the victims psyche has been wounded at a depth such as this, they become glued to the chair and cannot get up. Thus they force themselves to try and make sense of reality because their instincts are telling them there is just something not right about what they assume is the truth. Trusting your instincts can become a task when you have begun to give your power to someone else.

Emotional abuse is ABUSE. Living in a nice neighborhood and being married to a man with money, does not make it okay to be emotionally abused. Emotional abuse is Domestic Violence. Domestic Violence does not mean you have to ALSO be physically or sexually attacked for it to be named as such. So many women are victims of emotional abuse alone and are surprised to hear they are living in a domestic violence type relationship. They often feel unworthy because they have not been hit. Unfortunately, the physical abuse can happen, the longer you stay and where there is emotional abuse, often there is sexual abuse as well. If you are being pushed into acts of sex that are unwelcome, uncomfortable, unwanted, than this would be sexual abuse.

The National Domestic Violence Hotline: 1-800-799-7233.

Who will buy the cow when you give the milk for free?

 

Metaphors are very blunt and get to the point. Who will buy the cow when you give the milk for free? Why marry the woman when you are already having sex with her? This brilliant movie from Turkey “Kurt Seyit and Sura,” shows a young Russian girl smitten by an older dashing Turkish officer. He is from a wealthy family and works as a Lieutenant for the last Czar. She comes from a noble family. The empire is about to collapse when the two lovers meet. They fall in love and then when both of their lives are in danger, she runs off with the handsome man. Of course sex has already occurred and for years they continue to have a relationship but never marry. His father demanded he would not marry outside of the culture and now he has died. The man and woman struggle with their love. For years she begins to become a stronger woman and this becomes an issue for him. He is used to being in charge and not having people question his orders. Their relationship finally meets with an end. He is set up to marry a Turkish girl (whom he never beds until they wed) and within the week they are married. The young Russian girl is distraught, shocked and confused.  Why is it that after all these years, he marries a woman just like that? Why when she has been there for him, waited for him, ran his business for him, loved him, nurtured him, was he able to quickly change gears? This is the question that many women continue to ask themselves in today’s modern society. The story of Kurt  Seyit and Sura is based on a true story. It is the tale of so many women around the world.

Almost half of all marriages fail in today’s society. We get it all wrong. We think our historical characters were the ones who erred and we are much wiser. We believe in sex, birth control, drinking, drugs, everyone can vote and hold down jobs, we can make babies whether we are married or not, and we can marry and have relationships with whomever we want. Anything can happen in our current “Caligula,” type of society and yet, and yet, we have half of all marriages that fail – this obviously is not counting all the relationships that never marry and fail. It is not counting the countless interludes that never make it to a relationship. So what is more important is looking at couples who do succeed and never marry. It is more important to look at why this occurs.

How many of you know people who waited to have sex before they were married? What can you say about this relationship? How many of you know people who have married for over 50 years and you can, without a doubt, say that you would look up to these people for marital advice? What have you learned from these couples? I think it is equally important to talk to older women who are not married to find out their story and what they have realized as an aging woman about marriage and what lasts.

The TV series above would seem out of place in today’s society. We all have sex so why is this a problem? The male character above has loyalty to family, roots and traditions. Not too many people even know what their roots are anymore and so they are scattered and ungrounded. Knowing and being proud of your culture helps a person to have confidence, stability, security and a sense of boundaries. It is easy to respect someone who is loyal to their culture, religion and family. It is not easy when you are a young person who is out on their own for the first time and full of lust, passion and vitality that makes you believe you can conquer any obstacle that comes across your path. Young people practically beg for this to happen on an unconscious level. As a young person, misplacing values will easily lead you in the wrong direction. Sex is wonderful, it is fun, exciting, lustful, and yet it is the key to longevity when you hold it at bay. Having sex as a young woman, without the wedding, means that you are more than likely going to end up with children, more than one partner and alone in old age.

Look around you at single women, single mothers and single older women. Talk to them to find out their story. What do they wish they would have done differently, now that they know?

Most American audiences hated the TV Series above. They assumed the title meant that this was a Cinderella story and everyone would end up happily ever after. European films are not about happily ever after though, they are about writing great storylines, building characters and dealing with tragedy. The male character in this storyline was a Turk in Russia, working as a soldier for the Czar, he spends the rest of his life running and hiding because anyone connected with the Czar was killed. He goes to his native country after his family is murdered and tries to find some respite there. Unfortunately, this is the same time period when the British occupied Turkey, along with the Italians and a few other powers. It was the end of the Ottoman Empire as well. Most likely he was suffering from PTSD and what works for this male character, his defense mechanism or coping skill, is that he continues to play the Lieutenant. He expects everyone around him to follow him. He leads others in attempts to strengthen the Turkish in their attempts to fight against the British (they only mention British in this TV series). As I listened to Americans crying, getting angry, talking about having depression symptoms when they saw the end of this film, I kept this in mind. I was already half way through the series and had an inkling the title was just the beginning and not the ending. I too felt sad at hearing how the ending would turn out but then I continued watching anyway. This is my fourth Turkish TV series so I have gotten used to how they turn out.

Watching the second half as a psychotherapist, I saw how the writer carefully prepared the audience for the ending. We could already see that Seyit, the male character, was holding back from marriage. We could see that Sura, the female character, was going out of her way to do whatever she could to salvage what was left. She became desperate, overcompensating, strong-willed and independent. It is natural to assume that a man would respect you for these character traits and perhaps some would. However, many males prefer to continue having to take care of the girl and aren’t so enthralled to see her become a woman; especially when they are not even married. He wanted to continue seeing her as his fairytale princess who reminded him of the past. She was becoming a survivor, a woman she could be proud of and hoped he would too but he did not.

When it comes to relationships, you must set the rules from the beginning. You must do this before you give things away. You must see that these rules have been met before you go to the next stage. For every rule that you allow to be broken, you are saying “I don’t have much respect for myself.” Yes, absolutely it is a double standard – he can do but you can’t do. We can have a modern society all that we want but on an instinctual level we are going to go for what we know makes sense. We all like rules but when we break them we have disconnect and sabotage. When we follow rules that we know are right because it is natural to us at the gut level maybe I could say at the primitive level, life runs much more smoothly. So why do we make life so difficult for ourselves? We have a big ego!! 

 

 

 

Emotional Abuse is Domestic Violence too

I like to use movies, literature, TV Dramas and other forms of art to discuss issues we face because then people will hopefully turn to them and re-examine what I am proposing. When it comes to Domestic Violence, most people think that it is simply physical abuse and nothing else.  In fact a woman is considered to be in a domestic violence situation when she is emotionally abused (even when nothing else is present). If you are trapped in a relationship because of emotional abuse and manipulation then you do not have the freedom to live your life or make choices and often lose a sense of self. Women are always surprised when I tell them this because they have tried so hard to cover up for their partners for so many years. Sexual abuse has long been undercover because of the assumption presented in society that if he is your husband you are supposed to have sex with him. Often sexual abuse takes play in emotionally abusive situations because he is not afraid to manipulate you in any situation he can.

When I turn to both literature and a musical, I think of characters who never got their woman – and in some situations we feel sad for this; i.e., Heathcliff in Wuthering Heights because it is written for us to believe Heathcliff and Catherine would have had this great love between them. I recall growing up, hearing my friends talk about this terribly romantic story of unrequited love, no different than Romeo and Juliet. In other situations such as Judd in Oklahoma, it is written for us to think of him as a lowlife, even though he is no different than Heathcliff and so in this musical we are grateful that he and Laurey don’t get together. Yet both characters are the same. They are possessive men who don’t get the girl but then continue to show how abusive they are to others. These types of men make me uncomfortable as a woman because I know that had they been able to be in a relationship with the girl, their possession would become much stronger, more dominant and she would have become strangled by their love. It would have led to sexual abuse, possibly even physical abuse. When a person is that narcissistic about their beliefs there is no self-awareness, no self-examination and the result is a catastrophe.

Currently, I am watching the Turkish Muslim TV drama on Netflix entitled “The Girl I Loved.” The story of Heathcliff and Judd are turned around because Timur (pronounced Tee-mur) is now a wealthy businessman and he has control over Mine’s family as he is the boss of the patriarch and later the son too. Mine (pronounced Mee-ney), is in love with Sinan (pronounced See-naan), also from a wealthy family though he is the son of a capitalist and comes across more like a socialist instead. He rejects his money and status for love. The difference here is that Timur is an adult male about 20 years older than Mine and Sinan is a man of about 18 or 19 when he first appears in the drama. Mine is 17 years old. Sinan’s father rejects his love for Mine and when she turns up pregnant (which happens when you have sex carelessly without a thought for being responsible and taking birth control), Sinan’s father whisks him out of the country to America without telling him that his love is pregnant. At the same time, Sinan’s father tells her father – who comes to plead to the family to take responsibility for their son’s and his daughter’s actions – that his son wants nothing to do with his family and they even question the paternity of the child.

Now the story begins. Timur, who had now fallen in love with Mine, a young vulnerable girl who he feels he can relate to, hears of her plight and wants to save her. We have already learned that he has saved the life of his housekeeper, another woman, but we don’t find out her story until much later. She had fallen in love with him but the minute he becomes consumed by Mine, Timur begins to reject his housekeeper and even his daughter. His housekeeper is sent to live elsewhere and return each day to tend to his household needs, whatever and whenever he demands. He marries Mine, after embarrassing the father and the family by asking for her hand – Mine’s father has a lot of pride and does not want his boss to have all this control over his family, the class issue and plus he realizes he is 20 years older. But the mother of Mine, delights in her daughter having this money which means stability so she is more practical and talks her husband into it. This of course causes him to eventually fall in love elsewhere; a different level of the control by men in this story. Mine rejects Timur’s love but is basically forced into the marriage because it will get her father to love her again. He had now considered her dead to him and refused to speak to her. Timur marries Mine, knowing that Sinan didn’t know anything about the pregnancy and is very much in love with her. Eventually the father begins to talk to daughter again and everything is written to look like a happy marriage.  The one thing that we can respect Mine for is that she is smart enough to realize that Timur wants her badly and so she makes demands which he actually respects. He will not sleep with her and for a couple of years she even locks her door to ensure this. This caused me to wonder if Timur has sexual problems. I doubt this will be brought into the picture (I am on episode 42 out of 79). I am pretty surprised to see a man who will give up sex in a marriage (and not have a lover on the side). This is how we see how his devotion and love for Mine is more of a religion. He has idolized her to be this saint and will do whatever it takes to have her by his side, even if it is a faux marriage as it is never consummated.

The conflict begins for Mine when Sinan returns from America and eventually he learns that she is pregnant with his son and they both find out that they were tricked. However, by this time, she is so emotionally manipulated by Timur, she cannot see his possession. She is now dressing nicely, like a rich wealthy woman (at first she rejected his money). She doesn’t have to work (at first she did anyway) and has now returned to college though there is no emphasis on this in the story so it is more like an idle past-time that Timur allows her. Mine and Sinan get together many times because she is still so in love with him and they have crying fests over her conflict and his undying love. We also see that Mine has grown up and is putting her child’s needs first (the martyr) and that Sinan is trapped in a fantasy of young love he is still chasing. He is unable to accept that she has grown as a woman and his jealousy has made him into a whiney little boy rather than growing and taking steps to turn this situation around. I keep wondering why he doesn’t hire an attorney to fight for paternity, visitation as well as put on a suit and become a responsible man that Mine will fall in love with all over again. If he fought for her and his son this way, she would be able to respect him. His character seems doomed though and when I accidentally read someone’s English comments I found out this is exactly what does happen in the final episode.

This emotional manipulation of Timur goes to great lengths that many women cannot see in their relationships (straight and even lesbian/gay). Timur stalks her first with a cell phone that she must answer whenever he calls. He locks her in the room himself and doesn’t let her leave (the fact that there is a sliding glass door on one side of her room is now hidden from camera and we the audience are supposed to forget it is there). He steals her phone so she cannot call anyone and even when her parents show up unannounced he talks them into believing this is just a lover’s quarrel. The first time she leaves him to go and clear her head at her aunt’s house – he follows her there and brings her back home. The second time she is already there and in front of all the women in her family tells him she needs time to think. This time he is too embarrassed to do something in front of these women and leaves. However, he is there every day and calls every day to check up on the son and her. Each time he arrives he  pesters her again about why she is doing this and how much he loves her and so on and so on.  How is she expected to actually think – I wonder? But he has no respect for his wife. He idolizes her and she can do no wrong but he doesn’t want her to think, he wants her to remain stupid and naïve so he can continue to possess her. We are still led to believe he is undaunted by the fact that they have not had sex and he has not had sex either for the past two-three years now.

What is saddest of all is Timur’s daughter, Merve (pronounced Mare-vey) who is so caught up in her love for her father that it would seem incestuous driven though this is normal for a child psychologically, i.e., the Oedipus complex. She has lost her mother (story is vague) and dad has been there for her until Mine, to the point of it seeming a little too close, on his part. Because she is bright enough to see her father’s obsession for Mine, she tries all types of tricks to get her father to notice her including attempting to kill herself (accidentally as this wasn’t her intent) and controlling Mine while she was pregnant (though Mine didn’t care because she didn’t want to be there anyway at the onset). When her father continues to reject her, even after a temporary “I am sorry, I still love you” moment between father and daughter, Merve goes in another direction. She is the one to tell Sinan about his son and was the one who brought Mine and Sinan together initially when he returns from America. She finally gives up and decides the only way to get her dad’s love is to love his “son” and be nice to Mine. You can see though how she is falling apart emotionally and I can only imagine, as a psychotherapist and if they write the story correctly, that she will eventually fall into the hands of a male that she will either control or be controlled by dependent on how vulnerable the character is shown over the years. It will depend on whether she is a survivor with one more trick up her sleeve or completely collapses altogether because some cocky guy makes her feel loved once again. Either way, it won’t end good for this young child because her father continues to ignore her over and over again as if she is nothing more than the housekeeper.

Now, if you were to be Turkish and could read all the comments on Turkish websites about this show, you might see a lot of favoritism toward Timur. This show is trying desperately to go in his direction and give you the idea that he is the one for Mine. At the same time, they are not allowing the Sinan/Mine relationship to end – it keeps the show rolling but they continue to show it as pitiful and hopeless and leave us to believe that Mine will end up consummating her relationship with Timur. Perhaps there are sides – women choosing Sinan and those opting for Timur. I hope she ends up leaving Timur and coming to her senses that she is a grown woman and doesn’t need a man. Both men are equally possessive but Timur is so emotionally abusive and if he ends up owning her 100%, which he is close to now, this won’t be a happy marriage. He lives for conflict because he is a passionate man and will soon need another woman to protect and shelter. How did he get to this place that he felt he was this God of poor lost women? This is what I question as a psychotherapist. What is his backstory? I hope we will find out in the end as I want some closure on this.

In real life though, a middle class woman marrying a rich man is something “dreams” are made of for many young girls. It is a fairytale that we see in cartoons and musicals and classics. So many women have entered into this story and at times it has a happy ending. Other times though it ends with emotional abuse but the woman fights not giving up all her money and prestige. It is a tough call. When you have become enslaved by money, power, prestige, and realize that if you leave this person you will have nothing, may end up being shunned, will fight him in court, and so on, it can cause a woman to remain and this will cause the man to feel he has even more power over her. This of course means more domination and control. Emotional abuse is domestic violence. This needs to be recognized and understood more. It is difficult when the art world romanticizes this and ignores the fact that it exists.

Brooklyn – the film – young feminist

All through this movie last evening, I found myself silently clapping for this young feminist woman who embodies the behavior that once was and should continue to be. The girl who waits, who asks for what she wants, who sets boundaries, she is the heroine I am trying to explain in my new book “You Don’t Need a Prince to Lead a Charming Life.” This girl who becomes a woman in front of our eyes and not because she suddenly has sex. It is the scene on the boat where her survival skills are put to the test and you are not only relieved that she will definitely be a strong character but you also know that now she is a woman in the making. I was thrilled also to see that they downplayed the extroverted wayward girls in favor of the chaste one. Not only this but it showed how these girls began to realize that she was the one to be in awe of, rather than themselves.

The most important piece of the film, which is toward the end, is the woman who stands as the voice of reason. In the film, she is portrayed as the “bitch,” and she certainly comes across that way but she actually makes our main character wake up and smell the coffee. As an elder woman now I can understand why we want to make her the bad guy and even my fellow elder female friend and I looked at each other after and said “She needed that.” Always, we want to look down on our elder wiser women of the community – which is what makes them/us come across as the bitch in the first place. They tire of the disrespect from insolent young women. We are so frustrated when we see these younger women who are making such fools of themselves and we sit there feeling unable to help them. Sometimes we put our foot forward and spew out an uncontrollable amount of spit in a passive/aggressive way that does come across as mean. My late ancestors and a great older friend did this to me and now I turn to them late at night and thank them for their patience and tolerance of my ignorance.

Why are young women so eager to let go and give up everything they have for a man in today’s society? Single parenting creates a need for love from a man that they rarely have unless of course it is mom’s boyfriend or other family member who takes advantage in the worst way possible. Our society glamorizes this lifestyle as if it is just part of life. By being politically correct we not only continue to patronize but pathologically make it acceptable. Being in denial about an issue that needs to be spoken about in an honest and intellectual way continues to make life difficult for all these unplanned children.

Young girls, please pay attention to the message of this film. It is how young girls used to be but it could be the way you are now. She gets everything she wants in the end and isn’t that what you really want?